swing slate 7: Frankie's music moments

Chick Webb - Frankie's favourite resident orchestra leader at the Savoy Ballroom

I recently read Frankie's autobiography and it's a cracking read for anyone who wants to get a better idea of the history of Lindy hop as well as the life of its greatest exponent (and thanks to Scott Magowan for lending me it!) but it also listed a few tracks that were especially prominent in Frankie's memories so I have taken seven of them and have provided a little explanation for why they featured.

• Christopher Columbus • Although Frankie started his dancing career at the Alhambra Ballroom in Harlem it was at the Savoy Ballroom where things really took off and he recalls that, every Saturday when the dance contests were in full swing, 'Christopher Columbus' was the tune regularly chosen by the orchestra leader. The orchestra was usually one of the house bands who don't appear to be on youtube but in this instance I suppose we'll just have to make do with a version by the King of Swing himself, Benny Goodman.

• Clap Hands! Here Comes Charlie • As a great example of kind of rarefied air that Frankie was breathing on a regular basis, he witnessed numerous "Battle of Bands" in the Savoy between some of the luminaries of the Swing Era. Count Basie and Benny Goodman (along with Gene Krupa) occasionally played in the Savoy but in Frankie's mind at least, no one out-swung Chick Webb, and 'Clap Hands! Here Comes Charlie' was one of Chick's most swingin'est tunes.

• Down South Camp Meeting • Frankie shaped Lindy hop in a way like no one else: the crouched posture, breaks, and ensemble routines amongst other things were all his creation but it is air steps for which he is best known and it was during a dance contest at the Savoy where he and Frieda Washington first debuted the revolutionary pattern and 'Down South Camp Meeting' was the tune, played specially by Chick Webb, that accompanied them. Again, I can't find any record of Chick's version so heeeeeere's Benny!

• Posin' • As I have just said, Frankie also introduced 'breaks' into Lindy hop by freezing on a natural pause in the rhythm until the music picked up again and he recalls that Jimmy Lunceford's record 'Posin'' was the one that first gave him the inspiration.

• Stompy Jones • Frankie's first ever stage show happened to coincide with a one-week residency of Duke Ellington. He remembers being reduced to a shivering wreck at the thought of performing with a jazz legend already in his prime and when he arrived at rehearsals and witnessed every other act handing music over to 'the Duke' when he had none to give it didn't help allay any fears of being found out for being an amateur! When asked for music suggestions, Frankie offered a few more familiar Chick Webb tunes as he was unaware of Duke's reputation for rarely playing the work of other musicians but in the end they settled on Stompy Jones and as you can well imagine, Frankie made it work.

•  Every Tub • Frankie confessed that, sometimes, he just liked to show off and two of his favourite records for doing that were 'Jumpin' at the Woodside' or 'Every Tub' by Count Basie. Woodside gets a lot of airtime so in this instance I have plumped for the other one!

• Shiny Stockings • And finally, I couldn't possibly make a mini music playlist about Frankie if it didn't include his favourite record of all time: 'Shiny Stockings' by Count Basie.

swing slate 7: tips for beginners

seven simple swing tips

In my last post I mentioned some of the fears that beginners may face at their first socials so here are a few tips that I hope will help ease the nerves! 

• skip the first half of the song • a simple solution for anyone new to the social dancing scene who's worried that the repetition of the limited moves they know will bore their partner is to wait until the song is about halfway through and then ask someone for a dance as this way it's unlikely the repetition will be obvious. I used this a lot when I started out and it really helped build my confidence.

• don't be afraid to repeat those basics • there's not actually anything wrong with going over the same basic moves again and again - practice makes perfect is a cliché for a reason, but the idea that practice also makes permanent is incredibly true. I have watched professionals dance to an entire song genuinely using only the three or four fundamental moves you learn in your first few classes and it looked phenomenal, so if you can make those moves second nature you're home and hosed.

• do they smile? • before you rush towards someone to ask for a dance have a look to see if they smile when they're dancing with others. This sounds seriously cheesy but it doesn't matter what level you are at: if your partner doesn't smile at all when you feel like you are having fun and pulling your best stuff it can be very disheartening and especially if you've not yet got confidence in yourself. So look for the ones that always have a grin ear to ear when they dance and when you partner up with them you'll feed off their energy.

• dance to songs you know well • this is a great way to take the edge off because if you know the song inside out you'll probably be able to relax a lot more and you'll be more able to feel out the rhythm without having to listen to it intently, mentally repeating "one, two, three-a-four...", BUT, and best of all, dancing to a song you know and love is one of the simple pleasures of swing dancing!

• I ask to dance, not to sex • this might sound a tad ridiculous but for most people the only other environment where people go out to dance is a nightclub where the intentions behind approaching a stranger in a dimly lit room do not always have the noble intentions of dancing/conversation as the end-goal. When you go to a swing social dance, however, the atmosphere (and lighting!) is completely different. I'm speaking mainly as a bloke, here, but it took me a while to get used to the idea that I could saunter up to a girl to ask for a dance without fearing her presumptuous rebuttal. I should say that I'm not so naive as to think that more 'adventurous' thoughts beyond a swing dance don't occur to a few (and as a good middle-ground for that there is blues dancing or kizomba) but beginners should know that you can confidently walk towards a potential dance partner projecting only good intentions.

• experienced dancers don't bite • I've mentioned before that experienced dancers should do their bit to get beginners up and going but I also really want to encourage new folk to ask the seasoned swingers - they were in your position once, will likely say yes, and you'll probably learn more in a few dances than you did in a few weeks whilst looking pretty flash at the same time! You can also use this opportunity to help out your more nervous friends by asking the experienced dancer to get one of them up.

and finally... • have a chat with the person first • it's called social dancing for a reason! Go over to someone, introduce yourself and just get chatting! You are both there for your mutual love of swing dancing so you can ask for tips, how they got into it, how long they've been doing it etc. whatever you want and if that other person has any sense then they'll get the hint and ask you for a dance - and if you time your conversation right it combines nicely with tip #1!